
Working on the skirt and all the frills is challenging (as well as fetishistically satisfying!) Deciding where all the shadows will fall means I have to concentrate,I do have a few resource images to use but there's nothing better than allowing it to shape itself. there will be around 5 - 6 more dancers to the composition.
I received a message from someone yesterday who I'd completely forgotten about..it was a wish for a happy new year and to "Party Hard". This meant a lot to me...I'll tell you why. At 1:45am on 31st December 1991, there was a banging on my front door..I was tucked up in bed...popping my head out of the window, I saw my Father standing in the street obviously upset..."Can you come down Niall?..I think Mum's died"
There began my adulthood....New Years eve is always a time I remember her,she was a big inspiration in my life..someone who sacrificed all for her family...and died aged 58 well before her time. Therefore the party I attend is basically to commemorate and avoid sitting at home being sad..it's what she would have done. If we should meet as midnight chimes, and I have a tear in my eye..you'll know why.
The following picture is something I treasure. Taken by my father in June 1951 it shows a youthful young woman about to embark on her married life. Having abandoned an offer to dance at 'The Windmill' in London as an exotic dancer, Eileen worked as a secretary at a local Army depot (Chilwell , Nottingham ) where she met my father.
L'inattendu (the Unexpected) is partly due to her influences on my senses, my memory my heritage and development.
In memoriam
Eileen young (nee Lipscomb)
1933 - 1991.